All William Powell Frith 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
91723 A dream of the future  A dream of the future   Signed and dated W. P. Frith 1865. Oil on canvas, 51 x 41 cm. cjr
70601 A Private View at the Royal Academy  A Private View at the Royal Academy   1883 Oil on canvas 60 ?? 114 cm (23 5/8 ?? 44 7/8 in)
94625 A Private View at the Royal Academy, 1881.  A Private View at the Royal Academy, 1881.   1883 Medium oil on canvas Dimensions 60 x 114 cm (23 5/8 x 44 7/8 in) cjr
73713 Dolly Varden by William Powell Frith  Dolly Varden by William Powell Frith   Oil painting depicting Dolly Varden, a character from Charles Dicken's book 'Barnaby Rudge' 1842(1842) cjr
94624 Lady waiting to cross a street, with a little boy crossing-sweeper begging for money.  Lady waiting to cross a street, with a little boy crossing-sweeper begging for money.   1858(1858) Medium English: Oil on canvas cjr
71971 Oil painting by English Victorian painter William Powell Frith  Oil painting by English Victorian painter William Powell Frith   Oil painting by English Victorian painter William Powell Frith 1881(1881)
94999 The Crossing Sweeper  The Crossing Sweeper   1858(1858) Medium English: Oil on canvas cyf
32798 The Derby Day  The Derby Day   mk81 1856-8
97374 The new earrings  The new earrings   1875. Oil on canvas. 109.2 x 76.2 cm cyf
27658 The Private View of the Royal Academy  The Private View of the Royal Academy   mk58 1881 1881-2 oil on canvas 102.9x195.6cm
97373 The signal  The signal   Oil on canvas. 42 x 35.5 cm Date 1858(1858) cyf
72430 The Sleeping Model  The Sleeping Model   Oil painting by Victorian painter William Powell Frith 1853(1853) cjr
William Powell Frith
English Painter, 1819-1909 His parents were in domestic employment before taking a hotel in Harrogate in 1826. They encouraged him to become an artist, despite his own desire to be an auctioneer. While at school in Dover, Frith sketched caricatures and copies of Dutch genre scenes (Dover Mus.) that betray his disposition to narratives. His taste did not accord with the academic training he received at Henry Sass's Academy in London (1835-7) and at the Royal Academy Schools (1837). Frith began his career as a portrait painter, using members of his family as models. He first exhibited at the British Institution in 1838, and during the 1840s he established himself with his entertaining historical and literary subjects in the popular tradition of C. R. Leslie, William Mulready and Sir David Wilkie. He was a member of THE CLIQUE, which included Richard Dadd, Augustus Egg, Henry O'Neil and John Phillip.



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